[Album Review] The Tragically Hip | Trouble At The Henhouse

Welcome to the 6th installment of my reviews for the discography of The Tragically Hip! These are tandem reviews with my amazing wife, Sarah who is posting her own over at Caught Me Gaming.  So be sure to check out her write up for Trouble At The Henhouse right here

As for me, prior to this past Monday I had not listened to anything past a few singles from Trouble At The Henhouse. Upon my first listen, “Monday Mars” was not impressed. Despite it earning a Juno for best rock album in 1997 and it sporting their most recognizable song ever, Ahead By A Century, for the first time since the band’s debut EP I was experiencing some legit weak moments.

But after spending the 7 days with it, I’m ready to give Henhouse a pass because it ain’t all that bad.


Part of the problem with Henhouse might be how the band produced most of it on their own.  Mark Vreeken is listed as a co-producer but when it came time to mix what they had recorded, Steven Drake, a friend and member of the Canadian rock band The Odds knew there was some trouble. (Which makes the album’s title somewhat ironic.) Hired to mix the songs, Drake discovered how his friends were not confident with the material and needed feedback from an outsider.

For one song that wasn’t working, Drake discovered an edit that needed to be made on the master recording. This is in the days before Pro-tools when splicing a master tape was tricky business. Mess it up, and the whole take can be lost. He told the band as a group his plan and insisted that it needed to be done. They all reluctantly agreed.

Later on the same day, Drake recalled how each member of The Hip came to him individually to thank him for making the edit. They all hated the song as it was but didn’t want to offend the other members by saying so. Oh, boy.

But there is only so much an engineer can do. Two songs, I feel did not turn out well are Butts Wigglin and Coconut Cream.

Butts Wigglin has a repeated line, “In my opinion the drug is ready”, which when within its original context as an part of the The Kids In The Hall film Brain Candy, makes sense. But it is out of place here. I would rather have it left off.

Coconut Cream is about a Christian circle jerk… I guess? To be clear, I’m not a religious person who could find the song offensive on that level. I just think it is not very good or clever. Is the song comparing organized religion to a circle jerk? If so, the lyrics are too on the nose for Gord’s usual work. And please don’t ask me what a circle jerk is. I don’t believe it is a real thing and I’m not looking it up to find out.

One of the songs on Henhouse that did grow on me throughout the week is Springtime in Vienna. I found it to be jarring at first. The Hip earned their fame during the ’90s but they never really sounded like a ’90s band. They are not foreign to the ’90s trope of slow/light verse and fast/heavy chorus, but this was the first time they went full Nirvana with it. Grungy guitar and all. It is trendy for its time but I ended up liking it.

700 Foot Ceiling, Don’t Wake Daddy, and Let’s Stay Engaged grew on me in a similar way as well. Even though parts of those songs do have that “phoned in” feeling, I think they’re a little better than OK.

A few songs that were homeruns from the start. Gift Shop is a solid opener. Its slow build with some metaphorical lyrics about life and a gift shop at the grand canyon is all great stuff. Ahead by A Century to this day is over played on Canadian radio, but I hardly listen to the radio anymore. So, I enjoyed listening to it this week.

Flamenco is my favourite of the bunch. It is beautifully composed and the one line in the song that goes:

Maybe a prostitute
Could teach you
How to take a compliment?

Love it. Such a cool way of saying, “Just fake it, why don’t ya?”

Much of the album does sound rote though. The last two songs, Sherpa and Put It Off are psychedelic-ish attempts to sound experimental but they are bland. Apartment Song is quite forgettable too. These songs sound like they needed someone to push them to do better.


Using the 2Loud2Old formula it figure this one out…

  1. Gift ShopKeep
  2. Springtime in ViennaKeep
  3. Ahead by a CenturyKeep
  4. Don’t Wake DaddyKeep
  5. FlamencoKeep
  6. 700 Ft. Ceiling Keep
  7. Butts Wigglin’Drop
  8. Apartment SongDrop
  9. Coconut CreamDrop
  10. Let’s Stay EngagedKeep
  11. Sherpa Drop
  12. Put It OffDrop

…it appears that we have an album that is mostly good with 7 outta 12 for keepers. It is really that last half that leaves a bad taste in your mouth. At 52 minutes long, there is certainly 10-15 minutes that could have been cut to make for a solid 35-40 minute run. Overall, I think the songs on Trouble at the Henhouse stay on script does make up for the weaknesses. So, to sum it up…


Be sure to check out Sarah’s write up! The Hip series returns next Sunday with Live Between Us.


Get more Hip in ya:

[EP Review] The Tragically Hip – Self Titled EP
[Album Review] Up To Here
[Album Review] Road Apples
[Album Review] Fully Completely
[Album Review] Day For Night
[Album Review] Trouble At The Henhouse
[Album Review] Live Between Us
[Album Review] Phantom Power
[Album Review] Music @ Work
[Album Review] In Violet Light
[Album Review] In Between Us
[DVD Review] That Night In Toronto
[Album Review] Yer Favourites
[Album Review] World Container
[Album Review] We Are the Same
[Album Review] Now for Plan A
[Blu-Ray Review] Bobcaygeon
[Album Review] Fully Completely Deluxe Edition
[Album Review] Man Machine Poem
[Blu-Ray Review] Long Time Running
[Blu-Ray Review] A National Celebration
[EP Review] Saskadelphia
[Book Review] The Never Ending Present | The Story Of Gord Downie And The Tragically Hip


  1. Well. How on the mark our reviews were! I didn’t feel the same way you did about Flamenco, nor Let’s Stay Engaged, but interesting how we have similar views elsewhere. The latter part does have the phone-it-in feel.

    Liked by 1 person

  2. Another one of those midnight purchases when the record shops opened to release this record and me and Tbone were there.
    They started losing me a bit here and your backstory sums it up as I don’t know about all that behind the scenes stuff.
    Good score as well…
    Off to the Mrs now…

    Liked by 1 person

  3. Too be honest, the vinyl and album cover don’t help much either (in my opinion). On the vinyl the font is so small that I could barely read the album title or band name. On the CD, the yellow text is hard to read on the orange-red background. I don’t even want to know what a circle jerk is either.

    Liked by 1 person

  4. “Ahead by a century” used to drive me nuts with how often it was played on the radio but I can appreciate it now. I also really like “Gift shop”.

    Liked by 1 person

    1. Understandable. I was the same with Tom Petty’s Free Fallin’. When I was in high school, some girl would play it on our cafeteria juke box every day. Got sick of it really fast. Now, I love it.

      Liked by 1 person

  5. I gave this one a listen earlier before I stopped by to read your take. I can’t remember even listening to this, as nothing sounded at all familiar… anyhoo, I didn’t really get into the groove with this one… the sound was a bit thin and the songs sounded more like off-cuts or suchlike. So aye, I didn’t enjoy it too much and would agree that there was a dip in the second half. Given you lived with it for the week, I dare say your score is a fair one… I think it’s safe to say that it’s unlikely I’ll revisit it.


      1. Maybe because it was a gift I have a spot for it. I really like the musical ides they were coming up with. Ive been on a hip jag since you and Sarca started this. ‘Little Bones’ came up and I must admit I like when the boys rock out.

        Liked by 1 person

  6. What a difference in the keeper ratings between side 1 & 2!
    Well said about Flamenco, fantastic track.
    And that Gift Shop – Springtime – Century 1-2-3 opening punch is something else!

    Liked by 1 person

      1. It’s a strange listening experience when a group does the opposite of ‘front-loading’ an album (I doesn’t happen often, I suppose it would be named ‘rear-loading’) – I agreed with your assessment that they saved the best for the end with In Between Evolution, I remember thinking Sloan did it for Between the Bridges as well.
        Maybe it’s a thing bands do with ‘Between’ albums!

        Liked by 1 person

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